When history becomes uncomfortably funny: Larry David, Barack Obama, and the new series rewriting American history

Some projects sound like a joke right away. And then there are those so absurd that they suddenly feel like a brilliant idea. HBO Max’s new series “Life, Larry and the Pursuit of Unhappiness” clearly belongs to the second category.

Larry David, the man who turned awkwardness into an art form in “Curb Your Enthusiasm,” takes things even further this time: he takes 250 years of American history and filters it through his sarcastic mind.

The result? A version of history where major events feel like they’re being discussed by people who accidentally ended up in the middle of chaos.

“Curb” in wigs and period costumes

Officially, the series is described as “Curb in costume” — and that is probably the most accurate definition.

The format is simple but explosive:

7 episodes

around 4 sketches per episode

major historical events

fully improvised dialogue

The script exists only as a skeleton. Everything else is classic Larry David improvisation: awkward pauses, petty arguments, and questions nobody should ask — but he does anyway.

Imagine the Declaration of Independence being debated while someone argues over who ate the last piece of pie.

U.S. history turned into stand-up comedy

The most interesting part of the project is not the historical reenactment itself, but how it is presented.

The Wright brothers, played by Jon Hamm and Sean Hayes, don’t look like aviation pioneers but like two men trying to settle a domestic dispute in a garage.

Abraham Lincoln (Bill Hader) and Mary Todd Lincoln (Kathryn Hahn) become almost a family comedy with a political chaos twist.

Meanwhile, Jerry Seinfeld, Vince Vaughn, J.B. Smoove and other comedy veterans appear throughout, seemingly given complete freedom to improvise.

Barack Obama as… himself?

Yes, you read that correctly.

Among the producers is Higher Ground Productions by Barack and Michelle Obama, and even more surprising: the former U.S. president will also appear on screen.

The idea is simple but powerful: when political history meets observational comedy, the line between “high politics” and “awkward everyday moments” disappears completely.

Obama in a Larry David sketch already sounds like a cultural experiment that will either go down in history or become the comedy highlight of the decade.

Improvisation as the main weapon

Director Jeff Schaffer once again collaborates with David, which means one thing: control is minimal.

Dialogues are not fully written. Situations are outlined. And then the actors do what they do best: turn history into a series of uncomfortably real, sometimes brilliantly absurd moments.

This is not about “correct history.” It’s about human nature, which doesn’t change even after 250 years.